I must admit that I was initially uncertain about the line art look we were going for. It would be a hit-or-miss. But I'm glad we took the risk, because George appreciates it and I'm impressed beyond expression with how the varying drawings have come together. The way the scenes of the mysterious object interrupts the stories works just as we expected. Daniel's big (whale) eye ball was a hit with George and we couldn't have realized it without Tiffany's expert Flash animation skills.
The lesson we took away from this was to:
- storyboard more efficiently and spend more time on production and postproduction
- either use drawings or photographs, not both!
- work as a team--which we did exactly and that's what got us through it all
- reduce file size to optimize playback
- get the eye to blink at some point
- finish the drawings!!!!
- if time permits, work on characters' acknowledgment of the mysterious object's descent